Kill My Mother: A Graphic Novel, by Jules Feiffer
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Kill My Mother: A Graphic Novel, by Jules Feiffer
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A Vanity Fair Best Book of 2014. A Kirkus Reviews Best Fiction Book of 2014. When three daunting dolls intersect with one hapless heroine and a hard-boiled private eye, deception, betrayal, and murder stalk every mean street in…Kill My Mother.
Adding to a legendary career that includes a Pulitzer Prize, an Academy Award, Obie Awards, and Lifetime Achievement Awards from the National Cartoonist Society and the Writers Guild of America, Jules Feiffer now presents his first noir graphic novel. Kill My Mother is a loving homage to the pulp-inspired films and comic strips of his youth. Channeling Eisner's The Spirit, along with the likes of Hammett, Chandler, Cain, John Huston, and Billy Wilder, and spiced with the deft humor for which Feiffer is renowned, Kill My Mother centers on five formidable women from two unrelated families, linked fatefully and fatally by a has-been, hard-drinking private detective.
As our story begins, we meet Annie Hannigan, an out-of-control teenager, jitterbugging in the 1930s. Annie dreams of offing her mother, Elsie, whom she blames for abandoning her for a job soon after her husband, a cop, is shot and killed. Now, employed by her husband’s best friend―an over-the-hill and perpetually soused private eye―Elsie finds herself covering up his missteps as she is drawn into a case of a mysterious client, who leads her into a decade-long drama of deception and dual identities sprawling from the Depression era to World War II Hollywood and the jungles of the South Pacific.
Along with three femme fatales, an obsessed daughter, and a loner heroine, Kill My Mother features a fighter turned tap dancer, a small-time thug who dreams of being a hit man, a name-dropping cab driver, a communist liquor store owner, and a hunky movie star with a mind-boggling secret. Culminating in a U.S.O. tour on a war-torn Pacific island, this disparate band of old enemies congregate to settle scores.
In a drawing style derived from Steve Canyon and The Spirit, Feiffer combines his long-honed skills as cartoonist, playwright, and screenwriter to draw us into this seductively menacing world where streets are black with soot and rain, and base motives and betrayal are served on the rocks in bars unsafe to enter. Bluesy, fast-moving, and funny, Kill My Mother is a trip to Hammett-Chandler-Cain Land: a noir-graphic novel like the movies they don’t make anymore.
Full color illustrations Kill My Mother: A Graphic Novel, by Jules Feiffer- Amazon Sales Rank: #1240721 in Books
- Published on: 2015-10-26
- Original language: English
- Number of items: 1
- Dimensions: 10.60" h x .60" w x 8.20" l, .0 pounds
- Binding: Paperback
- 160 pages
Review “Jules Feiffer’s Kill My Mother is a tribute to film noir and detective fiction….But Kill My Mother isn’t mere pastiche. The story is a thoughtful meditation on female identity and whether the not-so-simple art of murder can ever be defended as a moral necessity. It is a story about stories, the myths we have to create in order to keep putting one foot in front of the other… I know what I think: Kill My Mother is terrific.” (Laura Lippman - New York Times Book Review, front page review)“The book is full of the stock characters of the classic noir detective genre―there’s the drunken loser of a private eye, a long-suffering but resourceful widow and her plucky teenage daughter (who also happens to hate her), prize fighters, tough guys chewing on cigars and, of course, a beautiful and mysterious woman. But the characterizations, relationships and, notably, the dialogue he’s created―a Feiffer specialty―are anything but stock in what is shaping up (PW got a sneak peak of the first 60 pages) as a lively and personal recreation of the noir genre in comics form.” (Calvin Reid - Publishers Weekly)“The most astonishing plot twist in this hard-boiled musical melodrama chock-full of shifting identities and relationships involves seeing Jules Feiffer―the old master who reinvented the newspaper comic strip in the middle of the twentieth century―now reinvents himself as an ambitious young graphic novelist!” (Art Spiegelman)“Kill My Mother stretches the long-form graphic novel into formidable textures of compact expression, daring to try things that film noir could only dream of.” (Chris Ware)“Nobody moves like a Feiffer character, and no graphic novel has ever moved like Kill My Mother. Feiffer uses the page like the multimedia genius he is: the camera storytelling of a filmmaker, the body language of stage actors, and the power of punch lines that define his people. Seven decades of pent-up love of noir pours out in these panels.” (Paul Levitz)“Multitalented Jules Feiffer has done it all. Winner of a Pulitzer Prize, an Academy Award, an Obie Award, among many others, he’s now turned his spectacular talent to a graphic novel. Nobody writes like Jules! Nobody draws like Jules! Nobody in their right mind would miss reading this monumental milestone of his incredible career!” (Stan Lee)“The story is wickedly imagined and deftly plotted, drawing on numerous classic noir influences while including charmingly unique flourishes… Feiffer’s illustrations have a rough-hewn quality, with the jumbled lines of his figures and faces clumping evocatively like Giacometti sculptures, while his human forms move with the fluidity of Degas’ horses across open panels of dancing and boxing. The entire work feels pulled from an earlier time yet explosively modern, a madcap relic animated by an outrageous mind. An unusual, unforgettable, incomparable pulpy punch.” (Kirkus Reviews, Starred Review)“Feiffer’s expressive inking seems made for full-length graphic novels, with inventive page layouts and action that practically leaps from panel to panel as the story jumps from the Great Depression to WWII… The 85-year-old legend fixes his material with a fresh and youthful eye, transforming familiar tropes into a crazy kaleidoscope of toxic family history that makes The Big Sleep look like forty winks. You’ll need to read it twice to follow the story―and you’ll want to do it, too.” (Keir Graff - Booklist, Starred review)“A fantastic read… Very funny and genuinely moving. Feiffer’s layouts owe much to his mentor, Will Eisner, but his spidery art and absurdist prose are all his own.” (School Library Journal)
About the Author Jules Feiffer is a cartoonist, playwright, screenwriter, children's book author and illustrator, and member of the American Academy of Arts and Letters. He teaches a humor-writing class at Stony Brook Southampton College and lives in East Hampton, New York.
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Most helpful customer reviews
27 of 29 people found the following review helpful. Noir with women who go beyond the stereotypes of the genre. Worth buying in hardcover. By Kcorn While I feel obligated to note up front that you may need to jot a few -or many- notes to keep track of the plot twists and character developments in this one (I did) it is well worth the effort. Feiffer not only captures noir dialogue, snappy and edgy, but adds his richly layered illustrations which are perfectly suited to the genre. He's noted in interviews that it took him many, many years to feel ready to tackle illustrations which capture the noir effect. His efforts have clearly paid off and his love of pulp fiction and early comic strips is also clear.Even before I turned the first page , I was hooked. I was particularly intrigued by Elsie, the secretary who works for a cynical hardened detective, a man Feiffer draws with such loose, flowing lines that his wrinkled face looks as though it is in danger of becoming a formless blob. Elsie, on the other hand, is both sharply drawn and sharp-witted.So...what is the plot? Impossible to briefly describe. An enigmatic client's request sets off a chain of twists and turns that move at breakneck speed. There are double identities and a timeline that spans from the Depression years to World War II. And yes...as you probably guessed, plenty of old grudges, betrayals, secrets, and scores to settle.What really made this a standout for me were the strong women. Going beyond the femme fatale found in typical noir works, there are a variety of female characters who take the genre onto a refreshing new path. Yes there's a mysterious blonde and the detective who either has a drink in his hand or a bottle within reach.But male/female stereotypes are also challenged, adding twists to the typical noir form. There are also events which focus on how gender itself is defined, altered or even transcended. This all adds up to one wild ride and a gem of a book. But do yourself a favor and purchase this in hardcover, not as an e-book (as of today, it isn't yet available in paperback). This is one case where form and function matter - so much so that the e-book is a mere shadow in comparison to the physical book.
17 of 17 people found the following review helpful. Received this book three days ago—Holy Cow! By John Emmerling Have already read it through—cover to cover—twice.1st read: captured a sense of the full-evil and half-evil noir characters—along with some appealingly vulnerable heroes (but that doesn't mean Jules Feiffer won't kill them off)—and tried to stay up with the plot flips and somersaults.2nd read: went deeper into the story and now took the time to look—really look—at Feiffer's gorgeous artwork. BTW, if you happen to be an art student be sure to also study the innovative page layouts.In conclusion:Thank you, Mr. Feiffer—thank you for giving me two extraordinary evenings.There will certainly be a third.
7 of 7 people found the following review helpful. The tale itself is captivating, and yet the art is somehow even more stunning.... Simply put, KILL MY MOTHER is a masterwork. By Bookreporter When 16-year-old Jules Feiffer walked into Will Eisner’s office shortly after the end of the Second World War, an aspiring writer and artist hungry for experience, he asked the mastermind behind The Spirit for any job at any price. The morsel was offered, and Eisner bit. Shortly after, when Feiffer asked for a raise, Eisner gave him his own page. The rest is history.Feiffer has done it all. While his eponymous strip chugged along for 42 years in The Village Voice, he won an Academy Award, multiple Obies and Outer Circle awards --- amongst a whole slew of other honors --- and illustrated Norton Juster’s children’s classic, THE PHANTOM TOLLBOOTH. And somehow, he still found time to join Maya Angelou at the dinner party where she decided to write her famous memoir, I KNOW WHY THE CAGED BIRD SINGS.Now, at 85, one of Eisner’s greatest disciples at last gives the world a graphic novel in the fluid form of the terrific noir KILL MY MOTHER. The work follows five women between two cities across 10 years, and is jam-packed with the juicy touchstones of the genre. Here, rakish gumshoes and dangerous dames entangle in a twisty, thrilling tale drenched in inky atmosphere.A young, fatherless woman caught in frustrating adolescence, Annie Hannigan despises her mother, Elsie, who spends too much of her time slaving for her employer, the washed-up drunk of a detective Neil Hammond. Annie spends as much time as possible making her mother’s life miserable, while still managing to treat her boyfriend, the luckless Artie, even worse.One afternoon, Annie drags Artie into serious trouble, only to be miraculously saved last minute by an incredibly tall, blonde homeless woman, whom Annie briefly adopts. That same day, Elsie’s office is visited by a similarly tall blonde, searching for Patti Hughes, a woman who looks like her identical twin --- though she insists they’re not related. (Here’s a hint: there are at least three tall blondes in this story, and none are what they seem.) Hammond takes the case, and before long, the Hannigans’ lives are thrown into chaos.Ten years pass. Elsie works for Mae Longo, wife of boxer-turned-actor Eddie “The Dancing Master” Longo and the top dog at Pinnacle Pictures. Annie has made a name for herself writing comedy for the radio with her hit show, “Shut Up, Artie!” Artie, meanwhile, is a captain in the army serving in the Pacific Theatre…and he’s soon to get a visit he neither expects nor desires.But what about the other two women --- Patti and Annie’s savior, the homeless blonde? Well, let’s not spoil the surprise. Feiffer’s work twists, turns and jabs like The Dancing Master himself. The tale is clever and evasive, somehow managing to feel lean while crammed with tiny details, references to great works of noir from THE MALTESE FALCON to Chinatown. (The book is dedicated to Raymond Chandler, Dashiell Hammett and James M. Cain, as well as their major cinematic interpreters, John Huston, Howard Hawks and Billy Wilder.) Feiffer’s love for the genre is palpable.The tale itself is captivating, and yet the art is somehow even more stunning. While Feiffer was better known as a writer earlier in his career, his idiosyncratic style has become a trademark, and here it’s in its finest form yet. Feiffer’s characters slink and sprawl across the page in lines equal parts liquid and jagged through murky panels that merit a Miles Davis soundtrack. A few sequences --- a car chase, a boxing match --- are some of the best of their ilk put to paper. Simply put, KILL MY MOTHER is a masterwork by one of America’s finest cartoonists. Don’t miss it.Reviewed by John Maher.
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